Are Our Genes Really Our Fate? DNA’s Visual Culture and the Construction of Genetic Truth
By Kathleen Pierce,
Nursing Clio
| 04. 24. 2018
The direct-to-consumer genetic testing company 23andme has recently been described by journalist Erika Check Hayden as a “unicorn.” For Hayden, this Silicon Valley idiom describes the company’s one billion dollar valuation while also capturing the rare opportunity it affords to scientists: its two million customers make up the largest available pool of gene-linked health data. The home testing kit’s packaging does little to disrupt visual continuities with popular imaginings of unicorns: a matte, velvety white box has been striped along one edge with rainbow chromosomal pairs, their neat, parallel lines forming a multihued mane.
23andme’s use of saturated fields of color and streamlined, graphic shapes may seem part and parcel of 21st-century advertising and design trends favoring a minimalist aesthetic, sleek shapes, and bright pops of color. However, this visual style has long played a role in representations of genetic material in popular visual culture and scientific literature from the 1950s to today.
These images, particularly their use of simplified shapes and solid colors, help shape popular conceptions of ancestry, genetic disease, and hereditary traits as fixed and...
Related Articles
By Emma McDonald Kennedy
| 10.29.2026
At the beginning of Nathan Fielder and Lance Oppenheim’s blockbuster documentary You Can See Everything, Billy Evans (partner of Theranos founder and convicted fraudster Elizabeth Holmes), says that they decided to do the film for one purpose: “radical transparency.” As they work on “Theranos 2.0,” Evans and Holmes want to show the public that she has been misunderstood –– painted as a liar and a fraud in the public imagination (and the courts) despite, as she claims in the...
By Alistair Sponsel and Brian Sutton, Springer Nature | 10.05.2026
This essay, co-authored by a historian of science and an X-ray crystallographer, sheds new light on Rosalind Franklin’s Photograph 51. We refute the infamous claim that, unlike James Watson, Franklin failed to see the picture’s potential significance for interpreting the...
By Andrea Martani, BioNews | 10.05.2026
In July 2026, PET and ESHRE published a joint report containing the results of an international survey assessing public attitudes towards the use of embryos in the context of fertility treatment and research. Societal views on these matters are considered...
By Rob Stein, NPR [cites CGS' Katie Hasson] | 09.29.2026
Cathy Tie slips on a white lab coat bearing her name and the logo of her startup: Origin Genomics. "Welcome!" she says as she leads an NPR reporter, photographer and videographer on an exclusive tour of Origin's labs located...