Black community members, scientists object to plan to bury skulls from Philadelphia museum
By Lizzie Wade,
Science
| 01. 23. 2024
For nearly 2 centuries, the skulls of 20 Black people who died in Philadelphia have formed part of the Morton Cranial Collection, now housed at the University of Pennsylvania (UPenn) Museum of Archaeology and Anthropology. Most of the skulls were collected by physical anthropologist Samuel Morton, who in the 1830s and ’40s amassed hundreds of them for studies he designed to identify supposed biological racial differences and scientifically prove what he believed to be the inferiority of nonwhite people. On 3 February, the museum plans to lay the crania of 19 of the Black Philadelphians in the collection to rest in a historically Black cemetery. “After 200 years of being on display and subject to scientific testing, these individuals deserve an interment with all the dignity and respect that we can give them,” says Penn Museum Director Christopher Woods. “They don’t belong in the museum.”
But a self-identified descendant community group and multiple anthropologists say the museum has not lived up to its promise to repatriate the remains and has failed to do sufficient archival research into the identities of...
Related Articles
By Alexandre Piquard, Le Monde [cites CGS' Katie Hasson] | 05.22.2026
"If proven to be safe, we believe preventive gene editing could be one of the most important health technologies of the century." This is how Lucas Harrington explained the goal of his company Preventive: to create genetically modified babies. Trying...
By Daniel Shanahan, Los Angeles Review of Books | 05.31.2026
This is the 15th installment in the Legacies of Eugenics series, which features essays by leading thinkers devoted to exploring the history of eugenics and the ways it shapes our present. You can read the first part here. The series...
By Jenny Kleeman, The Guardian | 05.30.2026
On a Friday evening in late April, Cathy Tie, the Canadian serial entrepreneur and self-styled “Biotech Barbie”, is centre stage at New York City’s famous Carnegie Hall, performing Saint-Saens’ Piano Concerto No 2 on a gleaming Steinway grand piano, accompanied...
By Virginia Heffernan, The New Republic | 05.29.2026
Here and there, it’s been a good month for humanity—or “magnificas humanitas,” as Pope Leo XIV calls us poor featherless bipeds.
On May 25, the pope published his encyclical letter “on safeguarding the human person in the time of artificial...