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| "Jurassic World" and the Dinosaurs at the USDAby Rachel Smolker, TruthoutJune 22nd, 2015The regulations of the US Department of Agriculture are in desperate need of an overhaul if they are to protect the public from the derailing of billions of years of evolution for the purpose of corporate profit-making. |
| Human DNA Enlarges Mouse Brainsby Elizabeth Pennisi, ScienceFebruary 19th, 2015Researchers have increased the size of mouse brains by giving the rodents a piece of human DNA that controls gene activity. |
| Of Clocks and Mammoths: The Pitch for De-Extinctionby George Estreich, Biopolitical Times guest contributorFebruary 9th, 2015De-extinction raises a host of questions: ethical, practical, philosophical. But for advocates, there’s a rhetorical question as well: How do you persuade a lay audience to support the project? |
| Pigs to Peopleby Pete Shanks, Biopolitical TimesNovember 24th, 2014Synthetic biology takes aim at xenotransplantation. |
| Research Integrity: Cell-Induced Stressby David Cyranoski, Nature NewsJuly 3rd, 2014Two papers that offered a major breakthrough in stem-cell biology were retracted mired in a controversy that has damaged the reputation of several Japanese researchers. |
| Transcendence: See it for its Cultural Relevance, Not its Plot Lineby Jessica Cussins, Biopolitical TimesMay 1st, 2014Transcendence won’t win you over with its dialogue or love scenes, but it’s a great springboard for pondering what quickly approaching developments in artificial intelligence, synthetic biology, and regenerative medicine may actually mean for society. |
| New Ways to Engineer the Germlineby Jessica Cussins, Biopolitical TimesDecember 18th, 2013A look at a number of emerging techniques that could compromise the international consensus against human inheritable genetic modification.
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| At the End of the Slippery Slope: Margaret Atwood’s MaddAddam Trilogyby George Estreich, Biopolitical Times guest contributorSeptember 24th, 2013Atwood says her trilogy "invents nothing we haven’t already invented or started to invent" — suggesting that though her work is fiction and not a tract, she also intends to do far more than entertain.
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